Sunday, 14 September 2025

TIFF 50 - That's a Wrap!

The Toronto International Film Festival has come to the end of a hectic 11 days of TIFF 50

This was the first year I volunteered while also holding a Media Pass.  It was a lot of juggling and piecing puzzles of time together, while balancing my limited energy levels to see as many of the films I had picked.

It will probably be my last year volunteering after hitting my 25th year as a volunteer.  My body just can't keep up with my desire to do it anymore.

Attending as media affords me more opportunity to organize my schedule and choose the films in advance of the festival while still having the flexibility to rush anything that gets my attention.

The thing that is added with the media pass is being able to attend the Closing Awards and find out who the People's Choice films are.

I was able to go to the Press lounge, but I didn't have to meet with anyone, so I only went a couple of times to decompress and have some iced coffee.  I enjoyed that part.

Films, shows, and conversations watched:

  1. Still Single
  2. You had to be there: Godspell the Comedy Revolution
  3. Roofman
  4. Butterfly on a Wheel (short film) not released yet
  5. Black Rabbit (Series)
  6. Rental Family
  7. Easy's Waltz
  8. Eleanor the Great
  9. Glenrothan
  10. Frankenstein
  11. Couture
  12. Tuner
  13. The Road Between Us
  14. Canceled: The Paula Deen Story
  15. Plus my first time attending an In Conversation with: Ryan Reynolds
Parties attended:
  • XOTO - The Mayor's Film Industry party at Stackt Market
  • 1 Happy Hour at the Glenn Gould Studio
Number of times going to the Ritz Carlton:  4

Number of Volunteer shifts: 4, but I helped with the Easy's Waltz red carpet.

Number of Hours waiting in rush, food, and bathroom lines: Unknown, but I'm pretty sure it probably adds up to like a day.

Celebrities spotted while I wasn't on a shift:
  • Rami Malek
  • Molly Shannon
  • Ryan Reynolds
  • Colin Hanks
Highlights:

Taking photos of Matt Dillon inside the historic Royal Alexandra Theatre with his phone and answering questions about the building.  He really loved the old photos inside. 
Seeing Dwayne (the Rock) Johnson walk on King Street while all the fans were screaming Rock sayings and seeing how big he is.  If he lost weight, he would still be large to me.
Seeing many friends in passing at theatres and walking on the streets.
Turning new Volunteer friends on to the croissants at the Ritz.
I enjoyed all of the films I saw and really loved a few of them. 
A highlight and a lowlight. Leaving my wallet at home by mistake, thinking I lost it, and having my festival friends help me pay for food and have emergency cash to get home.
Connecting with new or newer volunteers.
Seeing the Road Between Us win the People's Choice Documentary and squeezing it in before my last film of the festival.
Seeing my last film, Cancelled: The Paula Deen Story with Joanne, even though we didn't have seats together.,
Grabbing a Banh Mi sandwich as my end of Tiff meal.

Lowlights:
Not having shifts with most of my OG volunteer friends
Not having breaks with all my Entourage friends like we used to.
Doing the festival mostly solo.  I have a ticket for my friend for the Paula Deen story, but we aren't sitting together.
Not having time or energy to eat properly.  Sometimes I only had 10 minutes, so I grabbed Hot dogs, beef jerky, croissants, and other junk because the screenings were so close together, or I would have had to walk too far to go get something healthy.
The cost of everything, popcorn $7, tuna nachos, and a non-alcoholic beverage at the Ritz, is $50.
I tried to ignore the cost because most of the time I was just grabbing what I could.
Fighting with the daily pain in my body. I averaged almost 9,000 steps every day, and the many stairs, escalators, and standing in lineups, then rushing to get into the theatres.
The TTC hours on the TTC=22 plus the time before the festival for training, etc.
The protesters spewing hate against Jews at the Road Between Us screening at Roy Thompson Hall

SWEET KARMA:  The Road Between Us wins the People's Choice Award for Documentary after being in the festival, being pulled, put back in again, only one screening, and having a protest during the only screening.


Here's the List of all the People's Choice Award Winners for TIFF50:

Platform Award winner: Valentyn Vasyanovych’s To The Victory!

TORONTO — TIFF is announcing 12 awards today, including the Platform Award, TIFF’s only juried competition, and the coveted People’s Choice Awards presented by Rogers. This year’s awards include two exciting new additions: the International People’s Choice Award and the Short Cuts Award for Best Animated Short Film. As TIFF’s 50th edition comes to a close, the Festival is proud to have welcomed over 700,000 guests, nearly 2,000 accredited media, 6,000 Industry delegates, 1,200 screenings, and a stellar lineup of talent who graced 110 red carpets.


Audiences can catch this year’s People’s Choice Award–winning films at TIFF Lightbox screenings starting at noon today, with free tickets available to the public (visit here for more information).


PEOPLE’S CHOICE AWARDS PRESENTED BY ROGERS


The 48th edition of TIFF’s People’s Choice Awards, presented by Rogers, presents the audience’s top titles at the Festival as voted by the viewing public. All feature films and Primetime series in TIFF’s Official Selection are eligible.


People’s Choice Award presented by Rogers: Hamnet, dir. Chloé Zhao

First runner-up: Frankenstein, dir. Guillermo del Toro

Second runner-up: Wake Up Dead Man: A Knives Out Mystery, dir. Rian Johnson


International People’s Choice Award presented by Rogers: No Other Choice, dir. Park Chan-wook

First runner-up: Sentimental Value, dir. Joachim Trier

Second runner-up: Homebound, dir. Neeraj Ghaywan


People’s Choice Documentary Award presented by Rogers: The Road Between Us: The Ultimate Rescue, dir. Barry Avrich

First runner-up: EPiC: Elvis Presley in Concert, dir. Baz Luhrmann

Second runner-up: You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution..., dir. Nick Davis


People’s Choice Midnight Madness Award presented by Rogers: Nirvanna the Band the Show the Movie, dir. Matt Johnson  

First runner-up: Obsession, dir. Curry Barker

Second runner-up: The Furious, dir. Kenji Tanigaki


SHORT CUTS AWARDS


Short Cuts Awards are presented to the Best International Short Film, Best Canadian Short Film, and Best Animated Short Film, as awarded by the Short Cuts jury. Each of the three winning films will receive a bursary of $10,000 CAD. The 2025 jurors for the Short Cuts Awards are Ashley Iris Gill, Marcel Jean, and Connor Jessup.


Short Cuts Award for Best International Short Film:

Talk Me, dir. Joecar Hanna | Spain/USA


Short Cuts jury’s statement: “This film sparked one of the most interesting conversations around the jury table. Talk Me is bold in its portrayal of intimacy and the universal longing for connection. The characters fit so naturally into the film’s unique, evocative world that everything feels normal very quickly. Its cinematography is beautiful, delicate yet deliberate, each frame carefully crafted to draw us deeper into the story. By allowing the visuals to lead, the film creates an immersive experience of vulnerability and honesty. For its courage, craft, and sensitivity, the jury presents the Short Cuts Award for Best International Short Film to Joecar Hanna’s Talk Me.”


Honourable Mention:

Agapito, dirs. Arvin Belarmino & Kyla Danelle Romero | Philippines


Short Cuts jury’s statement: “For its formal precision, command of a delicate tone, poetic awareness of space and movement, and deeply personal reflections on family, the jury is thrilled to present an Honourable Mention to Arvin Belarmino and Kyla Danelle Romero’s remarkable Agapito. The jury also wants to acknowledge the brilliantly nuanced and committed performances of the film’s young cast.”


Short Cuts Award for Best Canadian Short Film:

The Girl Who Cried Pearls, dirs. Chris Lavis & Maciek Szczerbowski | Canada  


Short Cuts jury’s statement: “In addition to highlighting the film’s daring technical achievement and sumptuous artistic direction, the jury also wants to recognize a fable about greed and the capacity of artists to create a fantastic world by the power of their narrative voice. The Short Cuts Award for Best Canadian Short Film goes to Chris Lavis and Maciek Szczerbowski for The Girl Who Cried Pearls.”


Honourable Mention:

A Soft Touch, dir. Heather Young


Short Cuts jury’s statement: “A Soft Touch really pierced our hearts. It finds a way to transform routine, everyday moments into a quietly devastating portrait of neglect and resilience. With searing precision and simplicity, the film illuminates how easily older folks can be overlooked, and in doing so, demands our attention, empathy, and accountability. The jury awards an Honourable Mention to Heather Young’s A Soft Touch.”


Short Cuts Award for Best Animated Short Film:

To the Woods, dir. Agnès Patron | France


Short Cuts jury’s statement: “This wordless journey into the bond between two siblings becomes a transcendent meditation on the mysteries of time and memory, love and loss, connection and transformation. Animated with lush, cosmic beauty and vibrating with tenderness and insight, the film plunges its viewer into deep, deep feeling. For its overwhelming artistry, luminous spirit, and soul-expanding sense of mystery, the jury presents the Short Cuts Award for Best Animated Short Film to Agnès Patron’s To the Woods. The jury also wants to note the film’s jaw-dropping sound design and the work of composer Pierre Oberkampf, whose score ranks among the best film music of recent years.”


FIPRESCI PRIZE


The FIPRESCI jury is awarding the International Critics Prize, dedicated to emerging filmmakers, to a debut feature film having its World Premiere in TIFF’s Discovery or Centrepiece programmes. The 2025 FIPRESCI jury members are: Katharina Dockhorn (Germany), Francisco Ferreira (Portugal), Jean-Philippe Guerand (France), Andy Hazel (Australia), and Justine Smith (Canada).


FIPRESCI Prize:

Forastera, dir. Lucía Aleñar Iglesias | Spain/Italy/Sweden


FIPRESCI jury’s statement: “Spanish cinema, long shaped by the exuberance of Pedro Almodóvar, has found a new distinctive voice in Lucía Aleñar Iglesias. Set on sun-drenched Mallorca, Forastera follows 16-year-old Cata, whose carefree family holiday is brought to a halt by the death of her grandmother. In her grief, the teenager takes on the older woman’s persona — wearing her clothes, adopting her gestures and silences. Aleñar Iglesias directs with restraint and precision, finding power in understatement. Performances from newcomer Zoe Stein and veteran Lluís Homar anchor the film’s dreamlike rhythms. What might sound slight becomes luminous: a meditation on an adolescent’s first encounter with death, and a ghost story about how the past lingers in the present. Forastera is a quietly assured debut, simple yet transformative, marking Aleñar Iglesias as a filmmaker the FIPRESCI jury would like to bet on.”



NETPAC AWARD


Presented by the Network for the Promotion of Asian Pacific Cinema, the NETPAC Award recognizes films specifically from the Asian and Pacific regions. The jury consists of three international community members selected by TIFF and NETPAC, who award the prize to the best Asian film by a first or second-time feature director. The 2025 NETPAC jury members are Dina Iordanova, Helen Lee, and Keoprasith Souvannavong, who is serving as Jury Chair.


NETPAC Award:

In Search of The Sky (Vimukt), dir. Jitank Singh Gurjar | India


NETPAC jury’s statement: “For offering an indelible tale of tolerance, desperation and faith, conveyed through a unique lens of realism and poetics, elevated by striking performances. In Search of The Sky (Vimukt) is a truly independent achievement by Indian filmmaker Jitank Singh Gurjar. The film transports the audience to rural central India, where an impoverished elderly couple contends with their cognitively challenged adult son and the villagers who threaten their existence. A beacon of hope comes in the form of the Maha Kumbh Mela, a pilgrimage to the world’s largest spiritual gathering where they seek renewal and new possibilities of life.”


BEST CANADIAN DISCOVERY AWARD


The Best Canadian Discovery Award celebrates works of emerging filmmakers who contribute to enriching the Canadian film landscape. All Canadian first or second feature films in Official Selection are eligible for this award. The winner will receive a cash prize of $10,000 CAD.


Jury members presiding over both the Best Canadian Discovery Award and Best Canadian Feature Film Award are: Jennifer Baichwal, Sophie Jarvis, and R.T. Thorne:

“Thirty-five films in 10 days gives you some perspective on the cinematic zeitgeist in our country. As a jury, we were particularly impressed by the wonderful variety, breadth, and strength of storytelling in the Indigenous films supported by the Indigenous Screen Office. This was a powerful indicator of the future of cinema in this country, and we look forward to seeing more in the future.”


Best Canadian Discovery Award:

Blue Heron, dir. Sophy Romvari | Canada


Jury’s statement: “Blue Heron, written and directed by Sophy Romvari, is a film centered on a family struggling with a troubling personal crisis, where all elements — script, direction, cinematography, performance and editing — unite to powerfully transcend the sum of their parts. The complexity of story, perspective, and emotion is conveyed with understated simplicity — nothing is superfluous — and the transitions between real and imagined, past and present, are seamless, as well as heartbreaking. Blue Heron is a stunning and assured feature debut about love, grief, memory, and the yearning to go back to the moment before everything changed.”


Honourable Mention:

100 Sunset, dir. Kunsang Kyirong | Canada


Jury’s statement: “We as a jury were struck by the remarkable world-building in 100 Sunset, Kunsang Kyirong’s directorial debut. She invites us into the apartment complex that is home to members of the Tibetan immigrant community in Toronto, where we experience the gossip, rivalries, and intrigues through the eyes of an observant young thief who rarely speaks but seems to register everything. The growing friendship between the thief and a newly arrived young wife is a study in seeing and being seen, and the interplay of an old DV camera perspective takes us along on their journey of expanding horizons.”



BEST CANADIAN FEATURE FILM AWARD


The Best Canadian Feature Film Award honours the unique craft and storytelling in Canadian cinema. All Canadian feature films in Official Selection — excluding first or second features — are considered for the award. The winning filmmaker will receive a $10,000 CAD cash prize.


Best Canadian Feature Film Award:

Uiksaringitara (Wrong Husband), dir. Zacharias Kunuk | Canada


Jury’s statement: “Wrong Husband, directed by Zacharias Kunuk, is a love story from thousands of years ago that blends the epic and intimate and immerses viewers in a mesmerizing and unique cinematic experience. The supernatural is ever-present and matter of fact alongside exquisite details of the daily rhythms of ancient Inuit life. The humour, gentleness and stoicism in the characters’ interactions is deeply moving, and the landscape is both a sublime setting and a character in itself. This is a beautiful and not unexpected achievement from a master storyteller.”


Honourable Mention:

There Are No Words, dir. Min Sook Lee | Canada


Jury’s statement: “An Honourable Mention goes to There Are No Words, written and directed by veteran documentarian Min Sook Lee. This film is a profound and devastating story of unspeakable loss; the shifting shape and mingling of individual and collective memory; the sometimes brutal immigrant experience; and how past violent personal and political realities can continue to define the identity of a family.”



PLATFORM AWARD


Marking the tenth anniversary of the Festival’s competitive section, Platform champions bold directorial vision and distinctive storytelling on the world stage. The Platform Award is a prize of $20,000 CAD given to the best film in the programme, selected by an in-person international jury: Carlos Marqués-Marcet (Jury Chair), Marianne Jean-Baptiste, and Chloé Robichaud.


Platform Award:

To The Victory!, dir. Valentyn Vasyanovych | Ukraine/Lithuania


Platform jury’s statement: “To The Victory! is the unanimous choice for this year’s Platform Award amongst a very strong selection. Bringing cinematic language to its roots and, at the same time, masterfully playing with audience expectations, this film dismantles convention to reveal deeply resonant universal emotions. Director Valentyn Vasyanovych has choreographed a mise-en-scène rendered with masterful precision, arriving at the kind of refined simplicity that can only be achieved with artistic maturity and bold vision. He has deftly used comedy to address a very complicated and complex situation into a work that is both audacious and profoundly beautiful. Ultimately, the film returns us to the very essence of cinema — reminding us why we are compelled to tell stories on film, and why we continue to do so.”


Honourable Mention:

Hen, dir. György Pálfi | Germany/Greece/Hungary


Platform jury’s statement: “The jury also wishes to recognize the extraordinary artistry of director György Pálfi, whose work exemplifies boldness, intelligence, and creative ingenuity. Blending cinematic genres in an inventive and seamless manner, Hen demonstrates remarkable precision in its camera movement and shot composition, resulting in an exceptionally effective narrative. György’s unwavering commitment to exploring humanity through the perspective of the hen yields a singularly original vision — a work of stunning originality, unlike anything else in contemporary cinema.”


TIFF50




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